Muse Boards
Louis Vuitton Resort 2020
Louis Vuitton
Resort 2020
Following a precedence of extravagant sets, Nicolas Ghesquiere’s latest resort show for Louis Vuitton took place in New York’s JFK airport. More specifically, the show was located at a meticulously curated TWA Flight Center, designed by Eero Saarinen in 1962 and since transformed into a hotel. The building, much like Ghesquiere’s collection, balances the retro aesthetics of the past with a space-age glimpse of the future.
Posted September 24th, 2019
By
Colby Mugrabi
The show was bookended by Louis Vuitton’s planned programming for the guests. An opening dinner at Waverly Inn featured embossed wine glasses and embroidered napkins with the LV logo. To get to the Flight Center, guests were ferried on a Louis Vuitton cruise, complete with custom crew uniforms and Louis Vuitton life rings. After the show, the programming concluded with an afterparty at MoMA PS1.
The collection itself paid homage to the New York of the past, present, and future. Black pants with yellow stripes and white dotted lines mimic the streets. More out-there statement pieces of leather, neon, and glitter remember New York’s famous club kid culture. Frequent use of exaggerated shoulders and big 80’s hair seem to reference 1980s corporate power dressing, while patterns and details speak to the city’s art deco architecture. The collection’s accessories like fingerless gloves and combat boots also speak to New York’s gritty past. On the other side, practical elements like pinstripe suits and bomber jackets are more accessible to the everyday woman’s wardrobe.
Ghesquiere expertly blends his knowledge of history with his creative hopes for the future in Louis Vuitton’s 2020 Resort collection. The use of the TWA Flight Center stays true to the company’s legacy rooted in travel, while also capturing Ghesquiere’s vision for a balance of future and past.
Click below to see the full Muse Board inspired by Louis Vuitton's 2020 Resort collection.
References
Architects Dressed as Their Most Famous Buildings
Beaux-Arts Architects Annual Ball, 1931
Christian Lacroix
Fall/Winter 1989 Haute Couture
Jean Dunand
Paravents Cercles, 1928
Marc Jacobs for Perry Ellis
Skyline Sweater, Fall/Winter 1990
Hiroshi Sugimoto
Chrysler building , 1997
Frantisek Kupka
Organization of Graphic Motifs, 1912
Eero Saarinen
JFK TWA Terminal, 1962
A.M. Cassandre
Nord Express Poster, 1927
Balenciaga
Fall/Winter 2008
Charles Catteau for Boch Kéramis
Art Deco Crackle Glazed Vase, 1920s
Donald Deskey
Armchair, 1929
Donald Deskey
Radio City Music Hall, 1932
Felix Vallotton
Sunset at Grace, Orange and Violet Sky, 1918
Jean Després
Art Déco Ring
Michel Boyer
Bureau Directeur, 1970
Paul Follot
Table Lamp, 1900
René Lalique
Spirit of the Wind, 1930
Sean Young
Blade Runner, 1982
Tamara de Lempicka
The Blue Scarf, 1930
References
Architects Dressed as Their Most Famous Buildings
Beaux-Arts Architects Annual Ball, 1931
1 of 19
Christian Lacroix
Fall/Winter 1989 Haute Couture
2 of 19
Jean Dunand
Paravents Cercles, 1928
3 of 19
Marc Jacobs for Perry Ellis
Skyline Sweater, Fall/Winter 1990
4 of 19
Hiroshi Sugimoto
Chrysler building , 1997
5 of 19
Frantisek Kupka
Organization of Graphic Motifs, 1912
6 of 19
Eero Saarinen
JFK TWA Terminal, 1962
7 of 19
A.M. Cassandre
Nord Express Poster, 1927
8 of 19
Balenciaga
Fall/Winter 2008
9 of 19
Charles Catteau for Boch Kéramis
Art Deco Crackle Glazed Vase, 1920s
10 of 19
Donald Deskey
Armchair, 1929
11 of 19
Donald Deskey
Radio City Music Hall, 1932
12 of 19
Felix Vallotton
Sunset at Grace, Orange and Violet Sky, 1918
13 of 19
Jean Després
Art Déco Ring
14 of 19
Michel Boyer
Bureau Directeur, 1970
15 of 19
Paul Follot
Table Lamp, 1900
16 of 19
René Lalique
Spirit of the Wind, 1930
17 of 19
Sean Young
Blade Runner, 1982
18 of 19
Tamara de Lempicka
The Blue Scarf, 1930
19 of 19