Muse Boards
Loewe F/W 2018
Jonathan Anderson's Fall/Winter 2018 collection for Loewe was notable, largely because of the exquisite craftsmanship it displayed from a technical point of view. The leather-work that Loewe’s audience admires took a front seat - applied to an abundance of textures from furs, to wools, to knits. The overall cozy feeling- and at times shapeless layers of outerwear in this show- work because of their flawless construction. Though the first look offered us undergarments, outerwear took the spotlight of the show as a whole.
Posted May 4th, 2020
By
Colby Mugrabi
The Loewe woman is stylish while holding on unforgivably to elements of comfort and practicality, thus making the collection as a whole appear effortless. And furthermore, she is chic, artistic, and original while remaining incredibly respectable and refined. Perhaps it is under the lens of our current situation, but the looks presented on this runway seem to move so seamlessly between professionalism and leisure.
Jonathan Anderson is clearly a master in honoring Loewe’s sense of timelessness and as their creating director, he maintains a trustworthy brand identity in a time when the rest of the industry was rapidly gaining pace and chasing trends. The craftsmanship and detailed work in leather and fine materials that were already ingrained in the brand’s roots, were only elevated by the artfulness Anderson introduced to them. In doing so, he allows classic, refined techniques to be new and interesting with each season. This was not lost on Fall/Winter 2018, a collection that reminded us that outerwear could be as comforting as it is chic.
References
Juan O'Gorman
Diego Rivera and Frida Kahlo's Home and Studio, Mexico City, 1931-32
Maison Martin Margiela
Spring/Summer 1990
Richard Prince
Black Bra (Super Group), 2017
Mark Grotjahn
Untitled (Black and Copenhagen Blue Butterfly 43.08), 2011
Sheila Hicks
Baôli, 2014
Georges Jouve
Ceramic Pots
Andre Sornay
Bar on Wheels, 1940
Carlo Scarpa
Castelvecchio Museum, Verona, 1959-73
Francisco Artigas
Luis Echeverría House, Mexico City, 1955
Francisco Artigas
Copper-Clad Stool, 1960s
Georges Jouve
Ceramic Vase
Imogen Cunningham
Portrait of Ruth Asawa, 1957
Jim Bassler
Gameboard, 2004
Maison Martin Margiela
Spring/Summer 1990
Morris Louis
Beta Lambda, 1961
Peggy Moffitt
1960s
Richard Prince
Super Group, 2017
Carlo Scarpa
Six Kentucky Chairs, Bernini, 1977
David Bailey
Yves Saint Laurent, Transparent Nude Look, 1966
References
Juan O'Gorman
Diego Rivera and Frida Kahlo's Home and Studio, Mexico City, 1931-32
1 of 19
Maison Martin Margiela
Spring/Summer 1990
2 of 19
Richard Prince
Black Bra (Super Group), 2017
3 of 19
Mark Grotjahn
Untitled (Black and Copenhagen Blue Butterfly 43.08), 2011
4 of 19
Sheila Hicks
Baôli, 2014
5 of 19
Georges Jouve
Ceramic Pots
6 of 19
Andre Sornay
Bar on Wheels, 1940
7 of 19
Carlo Scarpa
Castelvecchio Museum, Verona, 1959-73
8 of 19
Francisco Artigas
Luis Echeverría House, Mexico City, 1955
9 of 19
Francisco Artigas
Copper-Clad Stool, 1960s
10 of 19
Georges Jouve
Ceramic Vase
11 of 19
Imogen Cunningham
Portrait of Ruth Asawa, 1957
12 of 19
Jim Bassler
Gameboard, 2004
13 of 19
Maison Martin Margiela
Spring/Summer 1990
14 of 19
Morris Louis
Beta Lambda, 1961
15 of 19
Peggy Moffitt
1960s
16 of 19
Richard Prince
Super Group, 2017
17 of 19
Carlo Scarpa
Six Kentucky Chairs, Bernini, 1977
18 of 19
David Bailey
Yves Saint Laurent, Transparent Nude Look, 1966
19 of 19