Jonathan Anderson's Fall/Winter 2018 collection for Loewe was notable, largely because of the exquisite craftsmanship it displayed from a technical point of view. The leather-work that Loewe’s audience admires took a front seat - applied to an abundance of textures from furs, to wools, to knits. The overall cozy feeling- and at times shapeless layers of outerwear in this show- work because of their flawless construction. Though the first look offered us undergarments, outerwear took the spotlight of the show as a whole.
The Loewe woman is stylish while holding on unforgivably to elements of comfort and practicality, thus making the collection as a whole appear effortless. And furthermore, she is chic, artistic, and original while remaining incredibly respectable and refined. Perhaps it is under the lens of our current situation, but the looks presented on this runway seem to move so seamlessly between professionalism and leisure.
Jonathan Anderson is clearly a master in honoring Loewe’s sense of timelessness and as their creating director, he maintains a trustworthy brand identity in a time when the rest of the industry was rapidly gaining pace and chasing trends. The craftsmanship and detailed work in leather and fine materials that were already ingrained in the brand’s roots, were only elevated by the artfulness Anderson introduced to them. In doing so, he allows classic, refined techniques to be new and interesting with each season. This was not lost on Fall/Winter 2018, a collection that reminded us that outerwear could be as comforting as it is chic.

References
- 1
- 2
Juan O'Gorman
Diego Rivera and Frida Kahlo's Home and Studio, Mexico City, 1931-32

Maison Martin Margiela
Spring/Summer 1990

Richard Prince
Black Bra (Super Group), 2017

Mark Grotjahn
Untitled (Black and Copenhagen Blue Butterfly 43.08), 2011

Sheila Hicks
Baôli, 2014

Georges Jouve
Ceramic Pots

Andre Sornay
Bar on Wheels, 1940

Carlo Scarpa
Castelvecchio Museum, Verona, 1959-73

Francisco Artigas
Luis Echeverría House, Mexico City, 1955

Francisco Artigas
Copper-Clad Stool, 1960s

Georges Jouve
Ceramic Vase

Imogen Cunningham
Portrait of Ruth Asawa, 1957

Jim Bassler
Gameboard, 2004

Maison Martin Margiela
Spring/Summer 1990

Morris Louis
Beta Lambda, 1961

Peggy Moffitt
1960s

Richard Prince
Super Group, 2017

Carlo Scarpa
Six Kentucky Chairs, Bernini, 1977

David Bailey
Yves Saint Laurent, Transparent Nude Look, 1966

References

Juan O'Gorman
Diego Rivera and Frida Kahlo's Home and Studio, Mexico City, 1931-32
1 of 19

Maison Martin Margiela
Spring/Summer 1990
2 of 19

Richard Prince
Black Bra (Super Group), 2017
3 of 19

Mark Grotjahn
Untitled (Black and Copenhagen Blue Butterfly 43.08), 2011
4 of 19

Sheila Hicks
Baôli, 2014
5 of 19

Georges Jouve
Ceramic Pots
6 of 19

Andre Sornay
Bar on Wheels, 1940
7 of 19

Carlo Scarpa
Castelvecchio Museum, Verona, 1959-73
8 of 19

Francisco Artigas
Luis Echeverría House, Mexico City, 1955
9 of 19

Francisco Artigas
Copper-Clad Stool, 1960s
10 of 19

Georges Jouve
Ceramic Vase
11 of 19

Imogen Cunningham
Portrait of Ruth Asawa, 1957
12 of 19

Jim Bassler
Gameboard, 2004
13 of 19

Maison Martin Margiela
Spring/Summer 1990
14 of 19

Morris Louis
Beta Lambda, 1961
15 of 19

Peggy Moffitt
1960s
16 of 19

Richard Prince
Super Group, 2017
17 of 19

Carlo Scarpa
Six Kentucky Chairs, Bernini, 1977
18 of 19
