Muse Boards
Louis Vuitton F/W 2006
Louis Vuitton
Fall/Winter 2006
Marc Jacobs’s Fall/Winter 2006 collection for Louis Vuitton combines all the influences of the past with ideas of the future, giving us effortless luxury, conspicuous consumption and high-fashion grunge. The aura of the collection represents a duality: on one hand, we see walk of shame but make it luxe, while on the other we see ski resort, jet setter chic.
Posted October 4th, 2019
By
Colby Mugrabi
The neutral colors – ecru, dove, charcoal and chocolate –are offset by pops of fuchsia and red leopard print. The recurring oversized hats point to a desire to conceal the visage, allowing for the clothes and accessories to speak for themselves. The clothes do in fact speak, as they brag about their equalized regality and functionality. There are notes of silk, Dior-esque peplums and several utilitarian pockets. References to the chic traveler include carry-on bags, snow boots and beanie-scarf contraptions, while we also see heavy menas of layering: a tights-skirt-top-jacket and scarf mélange that incorporates texture and shape into the overall look. There were wool and mesh pairings, along with a striking turtleneck and strapless dress combination, while waffle knit sweater dresses over trousers also recall ski resort fashion.
Fur was paramount, shapeshifting from hand held luggage and headpieces to knee-length coats, but what guided the clothing in the collection were the bags each look was paired with. The infamous Takashi Murakami re-worked monogram was realized in fur, both as a belt bag and a hobo satchel, and there was also a patent hand-held tote marked by its handle: a pair of golden headphones. Metallic Alma bags, whose claim to fame are attributed to Kim Kardashian and Paris Hilton, also lead the way. Crocodile embossed leather converses with Louis Vuitton monogram, showcasing double toning, which is sometimes even in leopard. The bags dictate their respective garments, setting the tone for silhouettes and the overall mood of the clothing that corresponds.
References
Madame d'Ora
Arthur Benda, 1910
Marc Jacobs
Cecilia Chancellor in Perry Ellis by Marc Jacobs, 1993
Cosmopolitan
October, 1919
Robert Morris
Vetti V, 1983
Diego Giacometti
"L' Autruche" Bronze Sculpture, 1977
Rudi Gernreich
Fall/Winter, 1968
Clément E. Mère
Boîte en ébène, 1900s
Clement Rousseau
Bronze and Ivory statue, 1900s
Clement Mere
Two Boxes and a Bowl, 1900s
D'Ora-Benda Studio
Emilie Flöge, 1909
Diego Giacometti
Montparnasse House
Harry Bertoia
Stainless Steel "Spray" Sculpture, 1960s
Henri Lartigue
Zissou in his Tire Boat by Jacques, 1911
Louis Kahn
Phillips Exeter Academy Library, Exeter, New Hampshire, 1965-72
Pierre Balmain
Model wearing an ensemble with leopard skin, 1950
Richard Serra
Cycle, 2011
Louis Kahn
Salk Institute, La Jolla, California, 1959-65
Takashi Murakami
Super Nova, 1999
Guy Bourdin
Vogue Paris, Yves Saint Laurent, 1969
References
Madame d'Ora
Arthur Benda, 1910
1 of 21
Marc Jacobs
Cecilia Chancellor in Perry Ellis by Marc Jacobs, 1993
2 of 21
Cosmopolitan
October, 1919
3 of 21
Robert Morris
Vetti V, 1983
4 of 21
Diego Giacometti
"L' Autruche" Bronze Sculpture, 1977
5 of 21
Rudi Gernreich
Fall/Winter, 1968
6 of 21
Clément E. Mère
Boîte en ébène, 1900s
8 of 21
Clement Rousseau
Bronze and Ivory statue, 1900s
9 of 21
Clement Mere
Two Boxes and a Bowl, 1900s
10 of 21
D'Ora-Benda Studio
Emilie Flöge, 1909
11 of 21
Diego Giacometti
Montparnasse House
12 of 21
Harry Bertoia
Stainless Steel "Spray" Sculpture, 1960s
13 of 21
Henri Lartigue
Zissou in his Tire Boat by Jacques, 1911
14 of 21
Louis Kahn
Phillips Exeter Academy Library, Exeter, New Hampshire, 1965-72
15 of 21
Pierre Balmain
Model wearing an ensemble with leopard skin, 1950
17 of 21
Richard Serra
Cycle, 2011
18 of 21
Louis Kahn
Salk Institute, La Jolla, California, 1959-65
19 of 21
Takashi Murakami
Super Nova, 1999
20 of 21
Guy Bourdin
Vogue Paris, Yves Saint Laurent, 1969
21 of 21