It is evident through the methodically selected locations of Louis Vuitton’s far off cruise shows that creative director Nicolas Ghesquière fancies himself not only a designer, but somewhat of an architecture connoisseur. From Bob Hope’s John Lautner-designed home in Palm Springs to Oscar Niemeyer’s Niterói Contemporary Art Museum in Rio, and the Foundation Maeght in Saint-Paul-de-Vence, the destination of Vuitton’s forthcoming cruise show on May 28th, Ghesquière’s highly intentional location selects are indicative each season of the collection’s focus.
In the case of resort 2018, the designer opted for I. M. Pei’s Miho Museum, perched atop a forested landscape just south of Kyoto, Japan. While Ghesquière has been traveling to the Far East for decades, and often pays homage to elements of Japanese culture within his designs, the synergy this particular season between the show’s setting and the collection’s garments was layered with purpose and meaning.
While conspicuous cultural references were present in the model’s Kabuki-inspired makeup and the garments and accessories designed in collaboration with Japanese fashion deity Kansai Yamamoto, the most alluring looks were those with captivating contrasts that mimicked elements of the show’s surroundings. Just as Pei utilized rigid materials and geometric lines to render a serene oasis enveloped by nature, Ghesquière combined striking patterns, luscious textures and commanding silhouettes to create garments of unexpected ease. A standout collection by the French designer, filled with reverence and energy.

References
- 1
- 2
Jack Mendenhall
Ochre Couch, 1975

I. M. Pei
Suzhou Museum, 2006

Kansai Yamamoto
Vogue UK, October 1971

Lucien Smith
Untitled (Camo Brown Magma), 2015

Thea Cadabra
Dragon Heels, 1984

Hasui Kawase
Autumn at Saruiwa, Shiobara, 1949

Carlo Bugatti
Large Extension Table, 1900

Dominique
Art Deco Gueridon Table, 1925

Emanuel Ungaro
Dress and Shorts, 1968

François Catroux
Paris Apartment

Infestation
Samurai

Jean Dunand
'Forêt' Screen, 1930

Lucien Smith
Hobbes, The Rain Man, and My Friend Barney Under the Sycamore Tree, 2011

John Kacere
Painting

Rare Console Table
Saxony, 1825

Stray Cat Rock: Sex Hunter
1970

Valerie Leon wearing a Biba Suit
1960s/70s

Yves Saint Laurent
Fall/Winter 1992

References

Jack Mendenhall
Ochre Couch, 1975
1 of 20

I. M. Pei
Suzhou Museum, 2006
2 of 20

Kansai Yamamoto
Vogue UK, October 1971
3 of 20

Lucien Smith
Untitled (Camo Brown Magma), 2015
5 of 20

Thea Cadabra
Dragon Heels, 1984
6 of 20

Hasui Kawase
Autumn at Saruiwa, Shiobara, 1949
7 of 20

Carlo Bugatti
Large Extension Table, 1900
9 of 20

Dominique
Art Deco Gueridon Table, 1925
10 of 20

Emanuel Ungaro
Dress and Shorts, 1968
11 of 20

François Catroux
Paris Apartment
12 of 20

Infestation
Samurai
13 of 20

Jean Dunand
'Forêt' Screen, 1930
14 of 20

Lucien Smith
Hobbes, The Rain Man, and My Friend Barney Under the Sycamore Tree, 2011
15 of 20

John Kacere
Painting
16 of 20

Rare Console Table
Saxony, 1825
17 of 20

Stray Cat Rock: Sex Hunter
1970
18 of 20

Valerie Leon wearing a Biba Suit
1960s/70s
19 of 20
