Muse Boards, as they are known on Minnie Muse, have been intrinsic to the website’s DNA since launching in November 2017. As such, the Muse Board concept was one of the first categories I developed when outlining the content framework of Minnie Muse, over two years ago – a website, I envisioned, built on curation and contextualization.
Posted May 27th, 2019
By
Colby Mugrabi
Every Monday we highlight one runway collection throughout history, paying homage by publishing a carefully composed assemblage of reference images for said show, based on my personal interpretation and understanding of the collection in focus.
Now, 19 months in and nearly sixty Muse Boards later, it occurred to me that after subjectively decoding the collections of countless brands and designers, I have never turned the tables and utilized this format to visually illustrate the Minnie Muse brand. With the launch of Minnie Muse Merch, it felt only natural to employ this framework to delineate the countless ideas and pictorial references that have had a hand in defining who and what is Minnie Muse.
In college I read a book titled ‘Pirates and Farmers’ by culture critic Dave Hickey. Put simply, Hickey argues that throughout history, creatives are either categorized as farmers or pirates. Farmers cultivate new ideas through innovative means of thinking and creating, ultimately releasing their teachings into the world only to be appropriated – for lack of a better term, i.e. ‘stolen’ – by pirates. An important takeaway from Hickey’s argument being that he refrains from contending one side over the other. Both pirates and farmers are essential to the progression of culture, while the world would be remiss without the perpetual creative tension ignited by both groups.
Hickey’s philosophy has always stuck with me. Making me question and better understand both creative individuals and, ultimately, myself. As such, looking closely at the reference images that have collectively informed the genetic makeup of the Minnie Muse brand, it is all the more obvious that I am a true pirate. Sampling elements of 20th century art, decades of fashion, midcentury design, and modern and contemporary architecture, to make something entirely my own. The ‘pirate’ badge is one I hold with tremendous honor.
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References
Carlo Mollino
Teatro Regio, Turin, Italy
Jean-Michel Basquiat
Portrait, 1980s
Renzo Piano
The Maison Hermès, Tokyo, Japan, 1998-2001
Naomi Campbell
Prada, Spring/Summer 1992
Humberto and Fernando Campana
Bubble Wrap Chair, 1995
Alexander Calder
Silver Brooch
Andy Warhol
Portrait of Tina Chow
Miu Miu
Bubble Wrap Shopping Bag, 1990s
Carlo Scarpa
Murrine Glass Plate, 1940
Peggy Guggenheim
Venice, Italy
Frank Lloyd Wright
Red Square Tile, Signature Branding of Structures
Pierre Chareau
Maison de Verre, Paris, France, 1932
Guy Bourdin
1970
Helmut Lang
Bubble Wrap Jacket, S/S 2003 Menswear
Andy Warhol
Portrait of Gerard Malanga, Screen Test, 1966
Slim Aarons
Hotel Il Pellicano, 1973
Alexander Calder
Brooch for Mary Rower
Jean Prouve
Structure Nomade, 1957
John Lautner
The Elrod House, Palm Springs, 1968
Jean Royère
Ondulation III Wall Light
Ed Ruscha
90 % Angel, 10 % Devil, 1982
Miu Miu
Bubble Wrap Texture from Bag, 1990s
Smiljan Radic
Habitación, Chiloé Island, 1992
Farrah Fawcett Skateboarding
Charlie's Angels, 1976
References
Carlo Mollino
Teatro Regio, Turin, Italy
1 of 24
Jean-Michel Basquiat
Portrait, 1980s
2 of 24
Renzo Piano
The Maison Hermès, Tokyo, Japan, 1998-2001
3 of 24
Naomi Campbell
Prada, Spring/Summer 1992
4 of 24
Humberto and Fernando Campana
Bubble Wrap Chair, 1995
5 of 24
Alexander Calder
Silver Brooch
6 of 24
Andy Warhol
Portrait of Tina Chow
7 of 24
Miu Miu
Bubble Wrap Shopping Bag, 1990s
8 of 24
Carlo Scarpa
Murrine Glass Plate, 1940
9 of 24
Peggy Guggenheim
Venice, Italy
10 of 24
Frank Lloyd Wright
Red Square Tile, Signature Branding of Structures
11 of 24
Pierre Chareau
Maison de Verre, Paris, France, 1932
12 of 24
Guy Bourdin
1970
13 of 24
Helmut Lang
Bubble Wrap Jacket, S/S 2003 Menswear
14 of 24
Andy Warhol
Portrait of Gerard Malanga, Screen Test, 1966
15 of 24
Slim Aarons
Hotel Il Pellicano, 1973
16 of 24
Alexander Calder
Brooch for Mary Rower
17 of 24
Jean Prouve
Structure Nomade, 1957
18 of 24
John Lautner
The Elrod House, Palm Springs, 1968
19 of 24
Jean Royère
Ondulation III Wall Light
20 of 24
Ed Ruscha
90 % Angel, 10 % Devil, 1982
21 of 24
Miu Miu
Bubble Wrap Texture from Bag, 1990s
22 of 24
Smiljan Radic
Habitación, Chiloé Island, 1992
23 of 24
Farrah Fawcett Skateboarding
Charlie's Angels, 1976
24 of 24