The Row has always found solace in blurring the lines between art and fashion, showing highly curated collections designed with the modern yet timeless woman in mind. For fall/winter 2018, the brand’s sisterly design duo collaborated with Dakin Hart, senior curator of the Isamu Nogochi museum in Long Island City, to create a “surreal, serene, somewhat apocalyptic landscape,” within the third floor of their West Village showroom.
As the presentation commenced, models mingled amongst works scattered around the downtown New York City studio, crafted by artist Isamu Nogochi, one of the most innovative and experimental sculptors of the twentieth century.
Citing uniforms as a central source of inspiration, the collection had the coherence and congruity one would expect from the brand, this season, with added sophistication and self-effacing cool. There were oversized wrap coats, some with exaggerated draped collars, and relaxed suiting, as well as elevated, sculptural silhouettes that played off the show’s surroundings; hips were nipped in soft, hourglass curves, while drop-waist skirts voluminously protruded at the pelvis. Trousers were sharp, paired with point toed, over the knee boots – the season’s featured footwear – while model’s clutched an array of handbag styles, namely the brand’s ‘Margaux,’ The Row’s answer to an everyday tote.
Straightforward fabrics and muted colors stayed true to the collection’s overall feeling of uniformity – basic blacks, shades of grey and cool neutrals were offset by pops of hounds-tooth as well as mossy and military greens – while the unpretentious palette allowed for unique fabrication techniques to speak volumes. A fringed, unfinished hem was an exciting addition to a classic black knit maxi dress, while two standout evening looks exuded velvety façades with a delicately slashed surface treatment to reveal a layer of barely noticeable mint green hidden beneath. Such thoughtful garments were a paradigm for the collection as a whole, encapsulated by The Row’s unwavering commitment to withstanding trends and unique tendency towards restrained elegance.

References
- 1
- 2
George Hoyningen-Huene
Greta Garbo, 1951

Diego Giacometti in his Studio
Working on the Chandelier for the Picasso Museum

Louise Dahl-Wolfe
Sandra Payson wearing a suit by Roxspun Photographed in New York City, March 1947

Isamu Noguchi
Kouros, 1944-45

Eileen Gray
Cabinet à tiroirs pivotants, 1926-1929

Fondazione Querini Stampalia
As reworked by Carlo Scarpa, 1960s

Alberto Giacometti
Photographed in his Studio

Deborah Turbeville
Jean Muir and Models, Vogue, 1975

Carlo Scarpa
Door

Harry Bertoia
Sound Sculptures

Henry Moore
'Reclining Figure', Hornton Stone, 1929

Horst P. Horst
Duchess of Windsor, New York, 1947

Isamu Noguchi
The Kite, 1959

Line Vautrin
Lamp Bases

Louis Kahn
National Parliament House located at Sher-e-Bangla Nagar in Dhaka, Bangladesh, Completed in 1962-83

Natsuyuki Nakanishi
Compact Object, 1962

Sarah Lucas
Au Naturel, 1994

The Rabe House (1928-1930)
Designed by architect Adolf Rading, Wall murals by Bauhaus designer Oskar Schlemmer, 1928-1930

Ugo Mulas & Alexander Calder
Wire Sculpture, Sachè, 1963

References

George Hoyningen-Huene
Greta Garbo, 1951
1 of 19

Diego Giacometti in his Studio
Working on the Chandelier for the Picasso Museum
2 of 19

Louise Dahl-Wolfe
Sandra Payson wearing a suit by Roxspun Photographed in New York City, March 1947
3 of 19

Isamu Noguchi
Kouros, 1944-45
4 of 19

Eileen Gray
Cabinet à tiroirs pivotants, 1926-1929
5 of 19

Fondazione Querini Stampalia
As reworked by Carlo Scarpa, 1960s
6 of 19

Alberto Giacometti
Photographed in his Studio
7 of 19

Deborah Turbeville
Jean Muir and Models, Vogue, 1975
8 of 19

Carlo Scarpa
Door
9 of 19

Harry Bertoia
Sound Sculptures
10 of 19

Henry Moore
'Reclining Figure', Hornton Stone, 1929
11 of 19

Horst P. Horst
Duchess of Windsor, New York, 1947
12 of 19

Isamu Noguchi
The Kite, 1959
13 of 19

Line Vautrin
Lamp Bases
14 of 19

Louis Kahn
National Parliament House located at Sher-e-Bangla Nagar in Dhaka, Bangladesh, Completed in 1962-83
15 of 19

Natsuyuki Nakanishi
Compact Object, 1962
16 of 19

Sarah Lucas
Au Naturel, 1994
17 of 19

The Rabe House (1928-1930)
Designed by architect Adolf Rading, Wall murals by Bauhaus designer Oskar Schlemmer, 1928-1930
18 of 19
